Fenne Lily: Gold On Hold

“‘On Hold’ was written as a thank you for the warmth of the world when I was at my lowest, and I wanted the video that accompanied it to be a raw representation of this gratitude. While I realise that roller-skating through central London giving flowers to strangers isn’t particularly cool, random acts of kindness are – ultimately, being nice is underrated. This video is the definition of DIY – it was filmed by a mate of mine who followed me through the city on a skateboard and I edited it all myself, having never done anything of the kind before. It makes me smile to watch, and dorky as it is, I feel this video communicates a joy that often goes untold.”

The Utter Joy of Irregular Verbs: Tu Canción

It’s a beautiful thing when a songwriter chooses and places a word so perfectly that its shape becomes physical sensation in the mind of the listener.

In Tu Canción (Your Song) you don’t need to know what the word ‘siento‘ (si-yén-to) means. Its sound alone (about 35 seconds in) will make your heart dance. The sliding ‘s‘, the elastic ‘y‘ sound, the soft landing of the ‘n’ and the final, neat step sound of the ‘to‘: a collection of sounds perfectly placed to swing you into a romantic waltz. Thank heavens for Spanish Irregular Verbs:

Nothing Like a Friend

When you sing in English, small words offer big opportunities. They can stretch and dance in song. Give them room; pay them attention.  Be ready for Russian doll words: tiny words that appear then reappear, nestled inside bigger, emotion-carrying words. Listen to tiny ‘in‘, working alone and within:

Christine and the Queens: Making English Physical

When you read or imagine a word, you create a physical shape and a ‘feeling’ inside your mind. The form adapts and flows. Heart holds one shape in the mind of a surgeon when she’s at work in the operating theatre and quite another when she’s at home, reading a precious love letter.

Héloïse Letissier of Christine and the Queens brings the music and the words of her song Tilted into such clear physical focus that you would understand the meaning with the volume turned off:

Skinny Love: watch my lips

All singing is choice. Choice carves sound. Watch Birdy singing Bon Iver’s Skinny Love and you’ll see her curving her lips inwards and letting them rest together on the m as she sings my, my, my, my, my. Her pause on the round body of the m weighs down the flyaway y. It adds a layer of resigned melancholy to the word.

It’s a choice. Birdy doesn’t round her lips in the same way when she sings the other words that begin with m in Skinny Love: moment and morning.  Why pause on the m of my but not the m of morning?

From Lorca to Leonard Cohen and back again

It’s a marvellous thing to write music that suits the original flamenco Spanish of the Lorca  poem as much as your English translation:

 

A squillo

It’s a lovely thing to see image and movement in the service of knowledge.  Ming Luke provides the words, Franz Palomares brings them to life and Ted-Ed provides the screen:

© Sing Better English 2020

What the Stranglers did to their Diphthongs

R.I.P. Dave Greenfield. Keyboardist, songwriter and singer.

When you listen to the Stranglers’ song Golden Brown, pay close attention to the way Hugh Conwell sings the word brown:

Lighting every step on the Stairway to Heaven

Stairway to Heaven is a classic choice for song contests.  If English is your native language, don’t take the words of this song for granted. If English isn’t your native language, don’t take the words of this song for granted. The words matter.

They matter, but they’re not a liturgy.  Dave Grohl captures the heart of the song without reciting every word in order. Or at all:

Bunraku

Because singing is communicating and connecting. And because all the arts inform each other:

Making music

Music: Poppy Ackroyd

Director: Ainslie Henderson

Producers: Puppet Animation Scotland

Akala: Carried Away

The mouth is almost like a percussive instrument. If you use it in the right way, your flow can have melody coming from the vowel sounds, but then percussion coming from the consonant sounds. And your flow of how you divide up these consonants and vowels determines how nice an instrument your rapping can become.

Akala

Lady Leshurr

“I started thinking, ‘You know what? Why don’t I just rap?’ Because it’s just poetry with a beat behind it, really.”

Lady Leshurr in The Guardian.

Jazz, respect and memory

What’s a Polish song doing on a blog about singing in English? Blaszane Mordy is here to show that connecting with a song is a conscious skill, and an ability, that transcends language. You don’t need to understand Polish to ‘understand’ Lautari‘s Blaszane Mordy. Emotion pulses within the shape of the words alone: