Thank you for that. How on earth do animators keep ideas in their heads for years and years and then develop them into convincing life, moving seamlessly, constructed micro-movement by micro-movement?
After you sent me ‘The Lighthouse’ film, I looked up the animator, Simon Scheiber. I read he made The Lighthouse with more than 14,000 photographs and, when you see the working process for each shot, it’s even more impressive https://seethelighthouse.com/
Really glad you enjoyed it! I think you’ll appreciate this animation, by the same artist. It’s one of the saddest things I’ve ever seen – and it’s all done with wool:
By the way – I was really surprised to read your post https://bit.ly/2JYLqEV about the drought in Finland. Thanks for writing it – there hasn’t been a whisper about it in the British media. How is it affecting the country? It’s very, very unusual, isn’t it?
Hi, yes. Record-breaking heat combined with scant rainfall. The photo of the field is from a Finnish news-service. The article link is in Finnish but the other #crazyFinnishweather tags link to an English language site, the Finnish Meteorological Institute. Their press briefings are usually in retrospect but the articles are very informative.
Harvest yields will be off significantly – only 1/5 the usual. Not a good time for farmers, growers & gardeners!
That must be worrying. It’s always unsettling when the weather doesn’t do what it should, or what we expect. I hope all the rain gods of the world turn their attention to Finland – and to your new plants! The house you’re making is gorgeous, by the way. I’ve been following your progress with admiration.
What a beautiful, bittersweet little film. I love the creativity it takes to make these creatures emerge from discarded bits … but also the sensitivity it takes to eulogize the little performers even as they are “playing” the single performance of their lives. Thank you so much for sharing this …
Ainsle Henderson, the filmmaker, says here that: “It was the most improvised film I’ve made. I had no script or plan. Poppy (Ackroyd, who made the sound and music) would send me some noises, and I would make instruments or characters who looked like they might have made those sounds, then I would send her pictures and she would send more noises back. I didn’t have a clue what I was doing for quite some time, and I let myself be lost, which was ultimately really valuable.”
It’s real catch at the back of the throat stuff, isn’t it? I read an interview (here) with Ainslie Henderson, the animator and Tim Booth from the Manchester band James, who composed the song Moving On:
“It is 2014, I’m on the phone to Tim and he is describing how they came to write this song, and what the words mean to him. The story he tells me is deeply moving; one thing that stayed with me is his describing death as a birth. Some days later this conversation echoes around my mind while I’m listening to ‘moving on’ I walk past a typical Scottish woollen knitwear shop. My eyes flit over a ball of wool in the window while the word ‘unwinding’ is sung. Pretty quickly I’m leaving a garbled, over excited message on Tim’s phone about the music video I have in my head.”
Ouch! That is so good and so moving. A lot of good animation work done for music videos. You might like to see Joseph Brett making a paper animation for a singer Liz Green promo at: https://vimeo.com/39646809 About six years old now.
I’m full of admiration for animators – attention to microscopic detail woven into powerful invisibility in the final film. And, unlike singers, their subconscious self can’t help them in painting in a shade of sound or a millisecond of pause or extra attention to a single consonant. It’s all conscious, indefatigable effort.
The final Bad Medicine film is wonderful, isn’t it? I didn’t know that miners got paid in alcohol for gold that they discovered https://vimeo.com/38983159
Did you see the Paloma Baeza animation Poles Apart?
This conversation could go on for ever! I think animation is magic and obsession and skill. Animators inhabit their work … feel it physically and so on. Oh I just wish I could do it like this too…. 🙂
I’d guess that all those animators wish that they were better. All of them will be reaching for an effect or an ability that just exceeds their grasp. To keep moving forwards.
I like the Hokusai attitude – that you keep doing, every day:
“Hokusai’s fervent belief was that the older he got the greater his art would become. In 1834, when he was 75, he famously stated the following in a postscript to volume one of his extraordinary illustrated book One Hundred Views of Mt Fuji (Fugaku hyakkei):
‘…until the age of 70, nothing I drew was worthy of notice. At 73 years I was somewhat able to fathom the growth of plants and trees, and the structure of birds, animals, insects and fish. Thus when I reach 80 years, I hope to have made increasing progress, and at 90 to see further into the underlying principles of things, so that at 100 years I will have achieved a divine state in my art, and at 110, every dot and every stroke will be as though alive. Those of you who live long enough, bear witness that these words of mine are not false.’
Delightful! Here’s another stop motion piece which took years to complete. It goes in a very weird direction: https://vimeo.com/193851364
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Thank you for that. How on earth do animators keep ideas in their heads for years and years and then develop them into convincing life, moving seamlessly, constructed micro-movement by micro-movement?
After you sent me ‘The Lighthouse’ film, I looked up the animator, Simon Scheiber. I read he made The Lighthouse with more than 14,000 photographs and, when you see the working process for each shot, it’s even more impressive https://seethelighthouse.com/
Have you ever seen ‘Hedgehog in the Fog’?:
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Lovely! I teared up at the end! I just loved this bit of magic!
Just bloody wonderful!!
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Really glad you enjoyed it! I think you’ll appreciate this animation, by the same artist. It’s one of the saddest things I’ve ever seen – and it’s all done with wool:
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I cried every time I watched the first one – this one is sad too. But wonderful, just the same.
Thanks!
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Really glad you enjoyed it.
By the way – I was really surprised to read your post https://bit.ly/2JYLqEV about the drought in Finland. Thanks for writing it – there hasn’t been a whisper about it in the British media. How is it affecting the country? It’s very, very unusual, isn’t it?
LikeLiked by 1 person
Hi, yes. Record-breaking heat combined with scant rainfall. The photo of the field is from a Finnish news-service. The article link is in Finnish but the other #crazyFinnishweather tags link to an English language site, the Finnish Meteorological Institute. Their press briefings are usually in retrospect but the articles are very informative.
Harvest yields will be off significantly – only 1/5 the usual. Not a good time for farmers, growers & gardeners!
LikeLiked by 1 person
That must be worrying. It’s always unsettling when the weather doesn’t do what it should, or what we expect. I hope all the rain gods of the world turn their attention to Finland – and to your new plants! The house you’re making is gorgeous, by the way. I’ve been following your progress with admiration.
LikeLiked by 1 person
thank you!
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What a beautiful, bittersweet little film. I love the creativity it takes to make these creatures emerge from discarded bits … but also the sensitivity it takes to eulogize the little performers even as they are “playing” the single performance of their lives. Thank you so much for sharing this …
LikeLiked by 1 person
Really glad you enjoyed it.
Ainsle Henderson, the filmmaker, says here that: “It was the most improvised film I’ve made. I had no script or plan. Poppy (Ackroyd, who made the sound and music) would send me some noises, and I would make instruments or characters who looked like they might have made those sounds, then I would send her pictures and she would send more noises back. I didn’t have a clue what I was doing for quite some time, and I let myself be lost, which was ultimately really valuable.”
Did you see the unravelling video?: https://vimeo.com/92767692
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I somehow missed the unravelling video … but now I’m crying buckets. How beautiful, how heartbreaking. But mostly beautiful. Thank you, E. xx
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It’s real catch at the back of the throat stuff, isn’t it? I read an interview (here) with Ainslie Henderson, the animator and Tim Booth from the Manchester band James, who composed the song Moving On:
He makes it sound so easy!
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Great artists always make it sound (or seem) easy, I think …
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Thank you so much for this video. Re-ignited my love for puppets so much that I’ve reblogged the post.
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He’s good, isn’t he? Did you see his animation for ‘Moving On’? Made of wool and full of hope. It’s here: https://vimeo.com/92767692
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Ouch! That is so good and so moving. A lot of good animation work done for music videos. You might like to see Joseph Brett making a paper animation for a singer Liz Green promo at: https://vimeo.com/39646809 About six years old now.
LikeLike
I’m full of admiration for animators – attention to microscopic detail woven into powerful invisibility in the final film. And, unlike singers, their subconscious self can’t help them in painting in a shade of sound or a millisecond of pause or extra attention to a single consonant. It’s all conscious, indefatigable effort.
The final Bad Medicine film is wonderful, isn’t it? I didn’t know that miners got paid in alcohol for gold that they discovered https://vimeo.com/38983159
Did you see the Paloma Baeza animation Poles Apart?
LikeLiked by 1 person
This conversation could go on for ever! I think animation is magic and obsession and skill. Animators inhabit their work … feel it physically and so on. Oh I just wish I could do it like this too…. 🙂
LikeLiked by 1 person
I’d guess that all those animators wish that they were better. All of them will be reaching for an effect or an ability that just exceeds their grasp. To keep moving forwards.
I like the Hokusai attitude – that you keep doing, every day:
“Hokusai’s fervent belief was that the older he got the greater his art would become. In 1834, when he was 75, he famously stated the following in a postscript to volume one of his extraordinary illustrated book One Hundred Views of Mt Fuji (Fugaku hyakkei):
[translation by Henry D Smith II]” Quoted from this: https://blog.britishmuseum.org/hokusai-old-master/
Or, to paraphrase Dory – ‘just keep animating’ 🙂
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Yeah Hokusai. Another hero.
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I think his long view is a useful view too. We’re works in progress until the day we die.
By the way – have you seen this blog? I think you’d appreciate it. Her work’s wonderful and her thinking’s rich and deep https://thepalerook.com/2017/10/29/i-see-i-think-i-wonder-when-the-kids-met-the-crows/
Una Mirada B is an inspiration too: https://miradab.wordpress.com/ As is HeideBlog: https://heideblog.com/
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Sorry, a bit late picking up on this. You are absolutely right. Think I’m off to follow that Pale Rook for a start! Thank you.
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