Turn fuzzy lyrics into a powerful cover

Imagine this: you want to sing a cover version of a song. The song’s in English. You like the chorus, but you can’t hear the other words clearly. What do you do? Close your eyes, mumble a version of the words you didn’t hear and hope your audience doesn’t notice or care?  They will.

Suppose you want to cover Paolo Nutini’s Scream (Funk My Life Up). It’s a song that switches between clear and fuzzy lyrics. Every word up to and including the first “Funk my Life Up” is clear, but what on earth comes after that? No problem: grab a pen and a piece of paper. Write down every word, or syllable you hear in the next line (around 20 seconds in). It begins with “Lips” and lasts around 5 seconds. You might need to listen a few times. Good luck:

What did you hear? Probably sex (Paolo knows it’s a word that guarantees attention), possibly like and maybe sing. Was the rest a blur?

What will you do when you sing your cover? Sing “la,la,la” or hum to hide the parts you couldn’t hear in the original? Do your best with some quick scrambled nonsense like “Lissli bee si sex orysonn” to fill the gap? Scream or shout “Funk My Life Up” extra loudly to distract attention? No, no and no.

Remember: the human brain processes every single sound that reaches it. Your audience will do their human best to make sense of each random sound you sing. Offer them a sludge of sounds spiced with sex and bees, if you like. They’ll do their best to build a story with it. Trouble is, if they like the original they’ll know that you’re being disrespectful. Don’t expect your sludge to be popular.

Do this instead: find a video of the singer performing the song live. Watch his lips closely. See if the words you thought you heard were right. Look for the singer forming the consonants:

When you watch Paolo’s lips, you can see him singing “Debbie” and “strawberry.” It’s like filling in clues in a crossword puzzle. Sex, up, like and lips were pretty easy to hear, because of their strong consonants.

Why Debbie? The most recent Debbie with famous lips is Debbie Harry:

“Songs” was a good guess – the word could have been “sound” or “soul” – either would have worked, but “song” rhymes with “come along” from the line before. Always look for rhyme patterns  when you need to decipher lyrics.

Look for grammar clues too – songs must be plural because there’s no a or the before it. That final s affects the pronunciation. I hope your English teacher told you that English grammar unlocks song lyrics.

So we have: Lips like Debbie – we can guess singing once we’ve got songs. Lips like Debbie singing sex – you can hear Paolo putting a consonant between sex and up. You might guess sexed-up as an English word, but it’s enough to put a t consonant between sex and up. You won’t find the expression sexed up strawberry songs in a dictionary. Paolo invented it and it works with his song.


If you look online for song lyrics, you’ll see a few different versions of that line in Paolo’s song. Native English speakers find it hard to decipher. Some substitute “they’ve been” for Debbie. It works grammatically, though it’s clumsier to sing.

Debbie starts with the strong d consonant and has the clear, double b consonant in the middle. Each consonant is a beat. They’ve been doesn’t work as a sound in this song because it slides at the beginning and, with its single, muffled b in the middle, it doesn’t mark the beats clearly. Debbie does.

Why doesn’t Paolo enunciate every word clearly? He doesn’t need to. He knows that the s alliteration of the line has a powerful poetic resonance. He’s done enough by making lips, strawberry and sex clear to his audience. Plump red strawberries, coupled with lips and sex, is enough to paint a vivid picture of his woman. The Debbie Harry/Blondie reference is an extra (like the Jeff Beck reference later in the song – if you’re interested, ask and we’ll explain it).

It’s worth doing the work if you’re going to cover a song. It’s easy enough to find live versions and easy enough to lip read. You don’t need to understand every word, but you do need to know where the consonants fall. Consonants mark the beat.

Your audience will know if you don’t know the words. Your insecurity will make them feel uncomfortable. You can’t fool them by rushing through or blurring the bits you can’t hear easily. Do the work if you want to sing the song.

If you want to try to decipher some more fuzzy lyrics, try to work out  the words Paolo starts singing while he’s inside the leopard skin limousine (from about 2.27 to 2.43).  Pen and paper, then the live video should help. Good luck.

Paolo wrote the song, so he can do what he likes with his own words. He knows which words to highlight for performance and which details to leave for his fans to discover little by little as they listen again on their own. His songs are enigmatic, the drug references are subtle and fans like unlocking mysteries.

© Sing Better English, 2014



2 thoughts on “Turn fuzzy lyrics into a powerful cover”

  1. I liked this post very much. One question: I know Jeff Beck for guitar, this Hi-Ho song is interesting. But Paolo is young for this? Does this mean that his woman of strawberry lips is old? Like Debbie Harry?


  2. Hi Ignazio – I don’t know how old Paolo Nutini’s strawberry lipped lady is (!), but the Jeff Beck song, “Hi Ho Silver Lining” is still played a lot. It’s the song that they often play near the end of the night at student discos. Most people in the UK know the words and the tune (and will sing along when they hear it). Most people have a memory of happy times at a disco when they were a teenager and Jeff Beck’s ‘Hi Ho Silver Lining’ was playing. It’s a popular song at wedding parties.

    Paolo Nutini’s tapping into all of that – it’s a shared cultural memory.

    ‘Jeff Beck sings’ is like a cryptic crossword clue. A lot of people, English or not, can’t hear him say Jeff Beck. It doesn’t matter to the song. It’s like a dvd ‘extra’!

    You might be interested in the original version, by The Attack. It’s more mod and less happy Very posh English voices.


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