What you see while you listen affects what you hear:
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Watch a supremely young Ozzy Osbourne keeping the beat with his head as he sings. Paranoid is a song of carefully placed syllables:
It’s a marvellous thing to write music that suits the original flamenco Spanish of the Lorca poem as much as your English translation:
When you sing, you’re telling a story. Like any good actor, you need to believe the words as they come out of your mouth; to choose them. No matter who wrote them.
Watch Françoise Hardy switch from ‘young female guest’ on Sacha Distel‘s TV show to ‘woman in love’. We believe her as she starts to sing. Why? Because she believes herself. You can see her refocus and prepare in the video. Watch her pupils get bigger, then smaller, around 14 seconds in, as she prepares to sing Frank Gérald‘s words:
Republished because love and cooperation is what we all need right now:
When you want to see international cooperation in action, look to music. Asia Kindred Moore (American harpist), Georg Börner from Germany, playing a Swedish Nyckelharpa, Erich Heimansberg (German flute player) and Pablo Ursusson, Galician songwriter and singer, sing in Galego, the language of Pablo’s home. Together they make up Sangre de Muerdago. And when the American and the Germans need to harmonise with Pablo in Galego, they do, just fine. This song is called A Chamada da Néboa/The Call of the Mist: